CATEGORY: MP3

Jessica Lea Mayfield.  Only 19, yet already sounds like a weary veteran of love’s battles.  A li’l bit of country, a li’l bit of bluegrass, a lot of mood.  This album is drenched in it.  It wallows in it.  Her cd, With Blasphemy, So Heartfelt, is one of my favorite new albums of 2008.  Here is ‘Kiss Me Again’, the first track.

Jessica Lea Mayfield - Kiss Me Again

CATEGORY: MP3

Wow. This is embarrassing. You know how I’m a really important music blogger and I always find out about cool bands before anyone else does? You know? Well, turns out I’ve totally been sleeping on this Fleet Foxes cd that SubPop sent me. Check out all this good stuff people have been saying about it weeks before I even took it out of it’s effin’ digipack sleeve:

“A stunning debut then, and one that will make Fleet Foxes one of the most sought after bands of the year.” - musicOMH

“It all adds up to a landmark in American music, an instant classic.” - The Guardian

“At its best, Fleet Foxes is warm and cathartic, with all the hopefulness of a balmy summer night.” - SPIN Magazine

SON OF A BITCH! Spin stole my ‘balmy summer night’ line. I was saving that for the next Beirut full length. Oh well, I guess that’s what I get for falling asleep at the wheel on this one. But no seriously, this new Fleet Foxes record is a landmark in American music, an instant- wait. SON OF A BITCH! Those assholes at the Guardian used my other line too. DAMMIT. This is what happens when you celebrate getting 200 hits in one day by drinking a lot of Red Stripe (I saw a pic of the guy from Rilo Kiley drinking Red Stripe) and fall asleep on the rooftop garden you always wished you had because you’re biggest wish in life is to live in a New York apartment that has a rooftop garden where you invite all your friends to party and watch your singer songwriter friend play his original accoustic songs to a starry eyed, cocaine-fueled crowd.

Fleet Foxes - White Winter Hymnal

Purchase Fleet Foxes’ self titled full length on Amazon.com

CATEGORY: MP3

Apologies to the Queen Mary was a solid little record. Perhaps not as great as the initial buzz promised but I know the first time I heard ‘You Are a Runner and I am My Father’s Son’ it put a smile on my face. I still listen to the album every once in a while. It’s still solid. I still smile.

I’m not sure about Wolf Parade’s new mp3, however. ‘Call It a Ritual’ isn’t a bad song- it’s actually pretty ’solid’- but it doesn’t make me smile. Nor does it get me too excited for the band’s up coming sophomore album At Mount Zoomer (out June 17th). The track actually reminds me of the first time I heard the Arcade Fire’s ‘Black Mirror’, a few weeks before Neon Bible was released. It was a darker song, undeniably well put together, but despite hitting all the regular marks for the band, I just ‘wasn’t feeling it’. That didn’t stop Neon Bible from being great though so I’m still holding out hope for this record. The Amazon product description calls At Mount Zoomer ‘this generation’s Marquee Moon‘ so at least we know the hype wheels are spinning.

Wolf Parade - Call It a Ritual

Pre-order Wolf Parade’s At Mount Zoomer on Amazon.com

BONUS! UNRELEASED MP3S FROM UP COMING SUB POP ALBUMS:

CSS - Rat is Dead
Appearing on the up-coming Sub Pop album Donkey (release date TBA)

Purchase CSS’s debut album Cansei de Ser Sexy on Amazon.com

Fleet Foxes - White Winter Hymnal
Appearing on the up coming Sub Pop album Fleet Foxes (out June 3rd)

Pre-order Fleet Foxes’ self titled album on Amazon.com

CATEGORY: Editor's Pick - Music Reviews

With their debut album Devestator, the Chicago rock band Star have written and recorded what appears to be an alternate soundtrack to the 2003 indie flick Lost in Translation.

The record’s twelve pop songs are so rich with atmosphere and mood that images of Bill Murray and Scarlett Johansson laying in a hotel bed staring sadly at the ceiling might invade your imagination. This emphasis on texture & mood also turns one of the band’s potential weaknesses into a strength- singer Shannon Roberts’ reverb-drenched, indecipherable vocals fit right in here, avoiding the trap of becoming distracting. Behind Roberts’ light bursts of air, her bandmates Theodore Beck (bass/beats) and Scott Cortez (guitar) let their instruments echo and fuzz until they have formed a giant, slow moving wall of sound. This simple formula is the band’s successful foundation and they stick to it faithfully throughout the album.

In the end, if a few of the songs on Devestator sound a little similar it is because they are. However, people shouldn’t criticize Star for lack of variety; the mood and textures of their great walls of sound are what make Devestator a worthwhile trip. If the album had been released in 2002 perhaps Mrs. Sophia Coppola might have been tempted to steal it for her own exercise in mood & isolation.

http://www.myspace.com/lovelyrebelrecords

MP3s
Switchblade Heart
Pure Gold Reason